Debbie Symons World Species Market (screen grab)
Perdita Phillips Voids IV, V and VI, 2024 Dye sublimate print Dye sublimate prints on velvet rugs Dimensions 61 x 34 cm (photographed in situ)
Lee Harrop Priceless, 2024, 5300 cut discs from discarded geological core samples, 180 x 180 cm. Some polished and engraved. Installation view, Coal Loader Centre for Sustainability, North Sydney, NSW.
WhiteFeather HunterPROSPECTIVE FUTURES: THE AURELIA PROJECT 3D scanning electron micrograph of microbial ecologies (2018)
Jenny Kendler Other of Pearl, Governors Island Exhibition View 2024 Photo Credit: Timothy Schenck
Heidi Kenyon, We shall by morning inherit the earth, 2022. Pleurotus ostreatus, citrinopileatus and djamor, timber and mixed media. Sound by Ben Davidson (Ben Sun) using electromagnetic sequences generated by the fungi. Installation diameter 214cm. Photography by Grant Hancock.
Catherine Higham Poisodona Australia; Prototype for Listening Fieldwork; peatlands.
Curated by Sharmila Wood- Zheng Bo, Ecosensibility Exercises, installation view, 2021, Gropius Bau, Berlin. Photo: Eike Walkenhorst. Courtesy the artist; Gropius Bau; Edouard Malingue Gallery.
Tarsh Bates and Susan Hauri-DowningVideo still from the series "There's No Future in Ice," created during a 5-week residency during November and December 2024 in Sápmi, on the lands of the Sámi people in Northern Sweden. During this "Scents of Solastalgia" residency, we explored the effects of climate change on the delicate olfactory relationships between lichen, reindeer, and snow. This project was hosted by Umeå Institute of Design, UmArts, and Umeå University, with support from DLGSC. photo credit Elena Hauri
Linda Knight, Pauliina Ratio, Anna Vladimirova, Marina Pliushchik, Kristina Vitek Meiän Mettä: citizen cartography walks. Sanginjoki forest, Finland. 2023 Digital photograph:
Cassandra Tytler Installation view of ‘It Will Not Be Pure’, a four-channel video installation, mixed media, multiple dimensions, exhibited at Gallery25, Perth, WA, 2023; and ‘In Solidarity We Eat Dirt!’ and interactive offering, mixed media, multiple dimensions, exhibited at Gallery25, Perth, WA, 2023. Photo credit Cassandra Edwards
Renata Buziak, Melaleuca quinquenervia and Corymbia intermidia… antiseptic..., Archival pigment print on paper, 90 x 300cm, Medicinal Plant Cycles series.
CatherineHigham-castbiodiversity
Clarice Yuen, The Nourishment of Peamunculus, 2024. Graphite, found material, and handmade plant ink on primed paper, 30.5 x 23 x 4 cm.
Annette Nykiel Dendritic rhizomes 2023 plant pigmented hand felted wool, borrowed rocks dimensions variable (ephemeral installation)
Jenny Kendler Other of Pearl (The Hero Meleager) Nacre sculptures sustainably grown in rainbow-lipped pearl oysters (Pteria sterna), biomedical nylon and biopolymer 3D prints, glass, patinated steel, and 3D printed vitrines with ‘water drop’ bases from upcycled water bottles 2024
Debbie Symons Sing Bayside Gallery Sing plays homage to avian nest colonies.
Comprising of 100 handwoven pendent nests and crafted with oil palm fronds, 'Sing' incorporates tropical bird species songs within the dimly lit installation. 'Sing' evokes the delicate and intricate natural connections found in remaining "wild" environments.
LEE HARROP And this, too, shall pass 2020, hand engraved geological core sample from the Yilgarn Craton, WA. 60.5 x 5 cm, 3.2 kg
Forest Keegel- Horizontal Connectivity Toolangi Sculpture Trail Residency 2016
Clarice Yuen, Underland, 2023. Six works on paper (installation view), 31 × 38.5 × 4 cm (each).
Annette Nykiel Assumptions 2023 plant pigmented hand spun wool, salvaged fencing wire, dimensions variable
WhiteFeather Hunter THE TROUBLE WITH JÄKÄLÄ (2018), "This Mess We're In" video still curated by Tarsh Bates, Old Customs House, in Fremantle
Perdita Phillips Void I 2024 Dye sublimate print Dye sublimate prints on velvet rug (photographed in situ)
Tarsh Bates and Susan Hauri-Downing A still image from a "Scents of Solastalgia" workshop designed by Susan Hauri and Tarsh Bates. The workshop explores the significance of olfactory landscapes in relation to the rapidly changing, multi-species experiences of place, which was developed during a quick response residency at Perth Institute of Contemporary Arts in early 2024, supported by DLGSC. photo credit Susan Hauri
Cassandra Tytler Installation view of ‘It Will Not Be Pure’, a four-channel video installation, mixed media, multiple dimensions, exhibited at Gallery25, Perth, WA, 2023; and ‘In Solidarity We Eat Dirt!’ and interactive offering, mixed media, multiple dimensions, exhibited at Gallery25, Perth, WA, 2023. Photo credit Cassandra Edwards
Heidi Kenyon, We shall by morning inherit the earth, 2022. Pleurotus ostreatus, citrinopileatus and djamor, timber and mixed media. Sound by Ben Davidson (Ben Sun) using electromagnetic sequences generated by the fungi. (detail) Installation diameter 214cm. Photography by Grant Hancock.
Renata Buziak, Floras of Gondwanan Heritage exhibition, (detail), The Centre Beaudesert Gallery, Qld, 2024.
Forest Keegel and Aunty Marilyne Nicholls Snake in the Landscape
Anne Poelina, 2023